Arthur Hilary Armstrong, 1909-1997Max Beloff, 1913-1999Tom Burns, 1913-2000John Desmond Clark, 1916-2002Arthur Geoffrey Dickens, 1910-2001Edmund Boleslaw Fryde, 1923-1999Ernest Andre Gellner, 1925-1995Ernst Hans Josef Gombrich, 1909-2001Jean Gottmann, 1915-1994Oliver Robert Gurney, 1911-2001Nicholas Geoggrey Lempriere Hammond, 1907-2001^LFrancis Harry Hinsley, 1918-1998^LHenry David Jocelyn, 1933-2000^LHenry Loyn, 1922-2000^LHenry Mathison Pelling, 1920-1997^LMervyn Reddaway Popham, 1927-2000^LJames Cochran Stevenson Runciman, 1903-2000^LJohn Denis Sargan, 1924-1996^LRichard William Southern, 1912-2001^LThomas Bertram Lonsdale Webster 1905-1974^LElizabeth Mary Wilkinson, 1909 2001^LThomas Wilson, 1916-2001^LGeorge David Norman Worswick, 1916-2001^LFrances Amelia Yates, 1899-1981.

This volume contains essays that examine infinity in early modern philosophy. The essays not only consider the ways that key figures viewed the concept. They also detail how these different beliefs about infinity influenced major philosophical systems throughout the era. These domains include mathematics, metaphysics, epistemology, ethics, science, and theology. Coverage begins with an introduction that outlines the overall importance of infinity to early modern philosophy. It then moves from a general background of infinity up through Kant. Readers will learn (...) about the place of infinity in the writings of key early modern thinkers. The contributors profile the work of Descartes, Spinoza, Leibniz, and Kant. Debates over infinity significantly influenced philosophical discussion regarding the human condition and the extent and limits of human knowledge. Questions about the infinity of space, for instance, helped lead to the introduction of a heliocentric solar system as well as the discovery of calculus. This volume offers readers an insightful look into all this and more. It provides a broad perspective that will help advance the present state of knowledge on this important but often overlooked topic. (shrink)

HellmanGeoffrey* * and ShapiroStewart.** ** Varieties of Continua—From Regions to Points and Back. Oxford University Press, 2018. ISBN: 978-0-19-871274-9. Pp. x + 208.

In a series of influential articles, the anti-realist Arthur Fine has repeatedly charged that a certain very popular argument for scientific realism, that only realism can explain the instrumental success of science, begs the question. I argue that on no plausible reading ofthe fallacy does the realist argument beg the question. In fact, Fine is himself guilty of what DeMorgan called the "opponent fallacy.".

v. 1. Psychological issues.--v. 2. Structural issues.--v. 3. Awareness and self-awareness.--v. 4. Clinical issues.

This volume of translations unites three shorter works by Arthur Schopenhauer that expand on themes from his book The World as Will and Representation. In On the Fourfold Root he takes the principle of sufficient reason, which states that nothing is without a reason why it is, and shows how it covers different forms of explanation or ground that previous philosophers have tended to confuse. Schopenhauer regarded this study, which he first wrote as his doctoral dissertation, as an essential (...) preliminary to The World as Will. On Will in Nature examines contemporary scientific findings in search of corroboration of his thesis that processes in nature are all a species of striving towards ends; and On Vision and Colours defends an anti-Newtonian account of colour perception influenced by Goethe's famous colour theory. This is the first English edition to provide extensive editorial notes on the different published versions of these works. (shrink)

In this fascinating collection of essays, noted critic Geoffrey Hartman raises the essential question of where we can find the real or authentic in today's world, and how this affects the way we understand our human predicament. Hartman explores such issues as the fantasy of total information and perfect communication encouraged by the internet, the biographical excesses of tell-all talk shows that serve to shore up a personal sense of unreality, the tendency to motivate violence in the name of (...) some moral or spiritual necessity, and the increased difficulty of distinguishing between fakery and truth in confessional and testimonial writing. Underlying the entire book is the crucial issue of how the trauma of the Holocaust and other genocidal acts, brought home to us almost daily by the media, is shaping our quest for agency, identity and meaning. Against what he describes as a contempt for the aesthetic in the face of social suffering, Hartman produces a defense of art that helps to recast these questions. His idea is that the form of contemplation produced by the aesthetic, and particularly by poetry, resists both the fantasy of data delivering up their own final meaning and of ideology as a shortcut seeking to deliver us from literature and other deeply reflective and sometimes vulnerable--because self-critical--modes of expression. (shrink)

In this bold interdisciplinary work, Geoffrey Galt Harpham argues that asceticism has played a major role in shaping Western ideas of the body, writing, ethics, ...

Philosophers and psychologists discuss new collaborative work in moral philosophy that draws on evolutionary psychology, cognitive science, and neuroscience. For much of the twentieth century, philosophy and science went their separate ways. In moral philosophy, fear of the so-called naturalistic fallacy kept moral philosophers from incorporating developments in biology and psychology. Since the 1990s, however, many philosophers have drawn on recent advances in cognitive psychology, brain science, and evolutionary psychology to inform their work. This collaborative trend is especially strong in (...) moral philosophy, and these volumes bring together some of the most innovative work by both philosophers and psychologists in this emerging interdisciplinary field. The contributors to volume 1 discuss recent work on the evolution of moral beliefs, attitudes, and emotions. Each chapter includes an essay, comments on the essay by other scholars, and a reply by the author of the original essay. Topics include a version of naturalism that avoids supposed fallacies, distinct neurocomputational systems for deontic reasoning, the evolutionary psychology of moral sentiments regarding incest, the sexual selection of moral virtues, the evolution of symbolic thought, and arguments both for and against innate morality. Taken together, the chapters demonstrate the value for both philosophy and psychology of collaborative efforts to understand the many complex aspects of morality. Contributors William Casebeer, Leda Cosmides, Oliver Curry, Michael Dietrich, Catherine Driscoll, Susan Dwyer, Owen Flanagan, Jerry Fodor, Gilbert Harman, Richard Joyce, Debra Lieberman, Ron Mallon, John Mikhail, Geoffrey Miller, Jesse Prinz, Peter Railton, Michael Ruse, Hagop Sarkissian, Walter Sinnott-Armstrong, Chandra Sekhar Sripada, Valerie Tiberius, John Tooby, Peter Tse, Kathleen Wallace, Arthur Wolf, David Wong. (shrink)

This book offers a new approach to a fundamental question: What is justice? In building his theory, Cupit maintains that injustice should be understood as a form of unfitting treatment--typically the treatment of people as less than they are. Justice is therefore closely related to unjustified contempt and disrespect, and ultimately to desert.

In this essay, I first extend the insights of virtue ethics into environmental ethics and examine the possible dangers of this approach. Second, I analyze some qualities of character that an environmentally virtuous person must possess. Third, I evaluate “humility” as an environmental virtue, specifically, the position of Thomas E. Hill, Jr. I conclude that Hill’s conception of “proper” humility can be more adequatelyexplicated by associating it with another virtue, environmental “openness.”.

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.1 (2001) 171-173 [Access article in PDF] Book Review Literary Lives: Biography and the Search for Understanding Literary Lives: Biography and the Search for Understanding, by David Ellis; ix & 195 pp. New York: Routledge, 2000, $35. In his discussion of biography as a form, Ellis points to his study as a response to the scarcity of "monographs on biography... and [that] none of them are (...) particularly satisfactory" (p. 2). He further points out that "the comparative dearth of analytic enquiry into biography is surprising" (p. 3). In short, his first pages get off to a rocky start in their tatty justification of a critical study. Though a critic of D. H. Lawrence, Ellis uses the English writer sparingly, pointing out in his "Preface" what he feels is a need "to keep illustration involving Lawrence to a decent minimum" (p. viii) while concentrating on those problems which face the biographer. That said, he sets about to characterize biography as an integration of "a disinterested enthusiasm for information... [fashioning a]... compelling story in which many details with no direct relevance to the life of his subject can be considered as contributing successfully to a period atmosphere" (p. 35). Ellis is thinking specifically of Norman Sherry's biography of Graham Greene through which he has brought to the discussion his intent of pointing to an approach which concerns itself with chapters on "Ancestors," "Primal Scenes," "Body Matters," "the Sociological [End Page 171] Imagination," "History, Chance and Self-determination," "Compatibility, Sartre and Long Biographies." All are aspects of biography.As well as the approach he suggests by these areas of concentration, Ellis draws broadly from many subjects of biography, always keeping a critical eye on its form. Anne Stevenson's approach "is towards psychological determinism" (p. 135); Ackroyd in his biography of Dickens raises "through a degree of intellectual play" the questions of when "lineage" is appropriate, that is, the extent to which it has any productive consequence. He also uses Hawthorne and Virginia Woolf as examples. Writing of the role of the historian raises difficulties for writers creating biographies from such an early period as that of Chaucer; Ellis points to Derek Pearsall's "excellent Life of Geoffrey Chaucer" (p. 121).Ellis neither can nor should ignore Lawrence and what better chapter to include him in than "Body Matters" in its concentration on illness. Here Ellis draws on Lawrence's concern with the harm of his health on his work (p. 78). He also considers Flaubert, Sartre, and Woolf. Briefly he mentions Stendhal's imagination of his "future audience" after his death (p. 109), sensibly rejects the long ago depleted and so, parenthetically, apparently permanent speculation on what Keats's might have become had he lived a full life "in a time of drugs for treatment of tuberculosis" (p. 123) and the equally mined issue of what prompted Hemingway's suicide (pp. 132-33). Certainly he is aware of the danger that such a use of material may pander to the pleasure of mere name-hunters (what if there were no index!). At the same time, if the effect of his range of examples invites additions of our own, while keeping before us that his study is about biography as form, it is successful.In "Primal Scenes," the fourth chapter of his book, Ellis gives what he feels is necessary space to Freud, the creator of the term. He points to Wordsworth's "spots of time" as only one indication of the difficulty--if not impossibility--of capturing biographically those moments in childhood by which the individual written about might be defined (p. 57). (Such an impossibility should not be surprising to those of us readers who recognize the nearly impossible task for ourselves in our own lives.) Surely both the biographer and autobiographer share this ignorance and frustration. In a very interesting move, Ellis points to Compton Mackenzie's discussion of a critical event in his six-year old life surrounding the interruption of an Easter evening with his parents and siblings, interrupted by the arrival of friends. Ellis writes... (shrink)

Affective disposition theory explains well the process of enjoying hero narratives but not the appeal of narratives featuring antiheroes. Recent antihero studies suggest that character identification and moral disengagement might be important factors in the enjoyment of such fare. The current study builds on this work. A sample of 101 self-identified fans and nonfans of the television series 24 viewed a condensed version of Season 1, providing evaluation of various protagonist perceptions, moral judgments, and emotional responses to the narrative, as (...) well as overall enjoyment. As expected, fans reported greater liking of the protagonist and greater enjoyment. But more importantly, regression analyses illuminated key differences between the groups in terms of the factors predicting enjoyment, providing a clearer picture of how we enjoy antihero narratives. (shrink)

Ordinary objects are experienced to endure over space and time, to not be collocated with each other, to be composed of proper parts, and to survive the loss of some of their parts. These qualities are on the one hand difficult to reconcile for theorists of perception and on the other hand pose a variety of problems when considered in isolation. Relying on the theoretical framework of predictive processing, this paper argues that we can use the category of a robust (...) predictive process to conceptualize qualities such as persistence and compositionality in a unified manner. Traditional problems concerning the structural properties of ordinary objects, such as the question of when two objects compose, can then be reformulated using this new category. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Structure, Change, and Survival: A Response To Winthrop-youngFranco Moretti (bio)Geoffrey Winthrop-Young’s is the sort of review article one dreams of: long, intelligent, and very generous. So, first of all, thanks. And thanks also for the clarity with which disagreements are expressed. In the same spirit, here is a brief response.The first area of disagreement comes early in the article, when Winthrop-Young claims that in the Atlas, “the here (...) and now of a specific location suffers something akin to the fate of a Barthesian myth: its specificity is subordinated to a signifying function as part of an established narrative sequence. But as Moretti chooses not to address the question of how this transformation is achieved, his discussion tends to gloss over the differences between geographical, literary, and imaginary locations” [7]. Frankly, I don’t think this is true. I often do exactly what Winthrop-Young demands, using a sequence of maps to clarify the successive steps by which a geographical space ends up supporting a specific narrative strucure: see the Austen maps that open the book, or the picaresque sequence in the first chapter, or the Balzac and Dickens maps in the second chapter—where I also address the issue in conceptual terms in a section entitled “Stories of the Third.” It’s true that I don’t do so in every case (as perhaps I should), and Winthrop-Young may of course disagree with the way I chart the transformation of space into narrative, but he cannot deny that I am doing so. The fact that those maps compose sequences of increasing complexity (as is particularly clear for Austen and Our Mutual Friend) proves precisely that I am indeed mapping a “transformation” of relatively simple beginnings into a complicated final structure. Incidentally, I do something similar in Modern Epic, where I describe how Joyce’s stream of consciousness “grows” from rather slim paragraphs to the plump ones we read now, or follow the slow rise of Ulysses’s polyphony. Again: my theses may be wrong—but they are an attempt to follow the step-by-step structuration of a text (or genre). This, after all, is the basic test of critical materialism: if we cannot describe the how and the why of the various steps, we are implicitly invoking “creativity” as an explanation for literary products. Which is a bit like invoking God. But on the futility of this, Winthrop-Young and I probably agree.The second disagreement regards the tempo of literary history: does morphological change occur in brief bursts separated by long periods of stasis (as in Eldredge and Gould’s punctuated equilibria)—or is it more evenly distributed across time? Here, Winthrop-Young claims [36, fn 5] that my attempt to see Schwarz’s account of Brazilian modernism and the genesis of magic realism as a single instance of punctuated equilibria is contradicted by historical evidence. He is right. Years ago, I adopted punctuated equilibria because it proved better than any rival theory at explaining the peculiar rapidity of many literary turning points (baroque drama; the rise of the British novel; the modernist season of European literature). From this initial conviction, I was (unconsciously) led to generalize, and to treat every case of major morphological change as an instance of punctuated equilibria. This was silly, and Winthrop-Young is right in criticizing me. However, he would probably agree that a single (or even a few) contrary [End Page 41] instances do not invalidate a theory in its entirety, and that what we most need is to know more about how literary change occurs. Only after such an empirical reconnaissance will the testing of theories be on a truly sound basis. Personally, I wouldn’t be surprised if we discovered that literary change can occur in more than one way, and that we need more than one theory to account for it; still, all I know of literary history suggests that punctuated equilibria will be the theory with greatest explanatory power.The last disagreement concerns literary selection: specifically, whether my view of it is indeed Darwinian, or whether I Lamarck-like “transform the concept of selection from the traditional passive filter... (shrink)

There has been increased interest in developing what I call environmental virtue ethics (EVE). This paper presents some of the centralfeatures of this project. The first part is a general description of EVE, showing why there is a need for it. The second part spells out the central features of EVE including an account of the good life as flourishing in an expanded or mixed biotic community, and provides a tentative list of important environmental virtues. The third part examines one (...) virtue: friendship, showing how an understanding of it provides insight into current issues in environmental ethics. The final section addresses a challenge to the project of EVE. (shrink)

Zygon®, Volume 56, Issue 4, Page 816-819, December 2021.

The overall subject of the essays in _The Body/Body Problem_ is the traditional one of what our ultimate makeup is, as creatures with minds and bodies. The central thesis is that we are beings who represent—and misrepresent—actual and possible worlds. Addressing philosophical questions of mental representation, Danto presents his distinctive approach to some of the most enduring topics in philosophy. He is concerned with the nature of description, the status of the external world, action theory, the philosophy of history, and (...) the philosophical status of psychoanalytic explanation. Representation is a central concept in philosophy, says Danto, with differences among philosophers arising in the ways they account for how representations connect to the world or to the individuals possessing them, and how they connect with one another to form systems of beliefs, feelings, and attitudes. In these essays Danto's own voice, with his arguments and speculations, provides rich philosophical pleasures that will endure, to borrow from Santayana, "under whatever sky." Arthur C. Danto is one of the most original and multitalented philosophers writing today, a thinker whose interests traverse the boundaries of traditional understandings of philosophy. Best known for his contributions to the philosophy of art and aesthetics, Danto is also esteemed for his work in the history of philosophy, the philosophy of history, philosophical psychology, and action theory. These two volumes, each with an introduction by the author, contain essays spanning more than twenty-five years that have been selected to highlight the inseparability of philosophy and art in Danto's work. Together they present the thinking of Arthur C. Danto at his very best. (shrink)

Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfängen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen für die historische wie auch die disziplingeschichtliche Forschung zur Verfügung, die jeweils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.

This article examines some of the ways that Muslim and evangelical Christian schools in England and The Netherlands deal with religious education. Various schools take different views about how aspects of religious belief should be taught and how Christian or Muslim belief should be related to the wider curriculum of the school. While some of the schools have attempted to integrate, for example, evangelical Christianity throughout the whole of the curriculum, others have been content to have the religious teaching as (...) a separate component of the curriculum. This paper uses the work of Basil Bernstein to describe and understand the nature of the religious curriculum in these schools. Through a series of case studies of schools and curricula it examines the nature of the curricula and their possible effects on children. (shrink)

" In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography.

The first major study since the 1930s of the relationship between American Transcendentalism and Asian religions, and the first comprehensive work to include post-Civil War Transcendentalists like Samuel Johnson, this book is encyclopedic in scope. Beginning with the inception of Transcendentalist Orientalism in Europe, Versluis covers the entire history of American Transcendentalism into the twentieth century, and the profound influence of Orientalism on the movement--including its analogues and influences in world religious dialogue. He examines what he calls "positive Orientalism," which (...) recognizes the value and perennial truths in Asian religions and cultures, not only in the writings of major figures like Thoreau and Emerson, but also in contemporary popular magazines. Versluis's exploration of the impact of Transcendentalism on the twentieth-century study of comparative religions has ramifications for the study of religious history, comparative religion, literature, politics, history, and art history. (shrink)